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Cultural Heritage is Influenced by Transport Planning
1
rorywilliams (South Africa) · Sep 26th, 2007 5:47 pm · 45 votes · 6 comments
 
The development of Gauteng's underground railway system has begun. , represent.co.za, from flickr.com, CC BY-NC-ND 2.0 (http://creativecommons.org/licenses/by-nc-nd/2.0/)
The development of Gauteng's underground railway system has begun. , by represent.co.za, from flickr.com
September 24 was Heritage Day in South Africa. Most countries, whether or not they dedicate a public holiday to it, celebrate cultural heritage in one way or another. It might be poorly defined, subjected to endless arguments, considered differently by groups in society who feel they should be identified as different from others, and even co-opted to political ends. But most people seem to assume that it somehow defines who we are, and is therefore worth preserving. What is not fully recognized in the planning fraternity though, is the range of ways in which transportation and the built environment affect culture in its present incarnations.

Many countries, including South Africa, use environmental impact assessments - or some similar mechanism - to check that planned changes to transportation infrastructure don't adversely affect cultural heritage resources. This is usually considered to mean that built heritage features such as historically significant buildings or other human artifacts should not be compromised.

Transportation corridor design and construction can affect these resources in a number of ways. In the 2003 Draft Cultural Heritage Work Plan for the planned extension of Highway 407 in Ontario, it was noted that "[t]he effects may include displacement through removal or demolition and/or disruption by the introduction of physical, visual, audible or atmospheric elements that are not in keeping with the character of the cultural heritage resources, and/or their setting."

While it is notoriously difficult to quantify some of these impacts, they are at least reasonably tangible. Things start to get a little more interesting when we consider that "[a]ggregations of individual cultural features usually form areas of homogenous character such as a rural area, a village, a streetscape, etc. The attributes for built heritage features are derived from historical associations and/or architectural or engineering qualities." And it's even more challenging to incorporate the role of memory in cultural heritage, something that has recently entered the heritage debate in South Africa.

All of this is no doubt important, but it's missing a crucial element in the consideration of transportation's impact on cultural heritage: the present.

It is true that present lifesyle is partially considered in environmental assessments. Ontario's Environmental Assessment Act defines "environment" to include "...cultural conditions that influence the life of humans or a community." So, for example, if a new road will force relocation of households, or a new dam will wipe out the livelihoods of a community, these are registered as impacts that must be considered.

The cultural conditions of community life should, however, be defined more broadly than is generally done for environmental assessments. At a workshop of the Organization for Economic Co-operation and Development (OECD) Project on Environmentally Sustainable Transportation, held in Ottawa in 2000, John Adams noted in his paper "The Social Implications of Hypermobility":
It is transport - and communications - that connect everything in society to everything else. The length, strength, quality and complexity of the connecting strands, and the patterns into which they are woven, are the physical manifestation of the social fabric - a metaphor for the myriad ways in which people and institutions relate to each other.
The OECD project looked at two alternative scenarios that countries could aim for in their policies and planning practices: Business as Usual (BAU) and Environmentally Sustainable Transport (EST). As defined by OECD, BAU is simply an extrapolation of past trends, while EST is "transportation that does not endanger public health or ecosystems and that meets needs for access consistent with (a) use of renewable resources that are below their rates of regeneration, and (b) use of non-renewable resources below the rates of development of renewable substitutes." Adams suggested that the BAU scenario would make countries richer (measured by GDP), but poorer by most other social and environmental indicators. "BAU countries will be:
  • more polarised (greater disparity between rich and poor);

  • more dispersed (more suburban sprawl);

  • more anonymous and less convivial (fewer people will know their neighbours);

  • less child-friendly (children's freedoms will be further curtailed by parental fears);

  • less culturally distinctive (the McCulture will be further advanced);

  • more dangerous for those not in cars (more metal in motion);

  • fatter and less fit (less exercise built into daily routines);

  • more crime ridden (less social cohesion and more fear of crime);

  • subject to a more Orwellian style of policing (more CCTV surveillance); and

  • less democratic (the majority will have less influence over the decisions that govern their lives)."

In other words, the way we approach transport planning has a significant impact on cultural heritage in the here and now. It's not something removed from present reality. Present reality is already evolving under the hands of planners, engineers, developers and politicians, so the question is not whether society should change the way it is culturally defined, but how.

tags: south africa culture iheritage transport environment heritage development


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This is fascinating! Thanks for this article Rory...
Daniela Faris · Johannesburg (South Africa) · Sep 26th, 2007 1:49 am
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rorywilliams Thanks to those who suggested edits and whoever contributed the photo - I didn't manage to check the edit queue before the article was published.

The photo of work on Gautrain raises another interesting point I have raised on my sustainability blog (Carbon Copy), which is that although Gautrain is criticised in some quarters for catering to the high-income market rather than less privileged sectors of society, it has the potential to improve the public transport system as a whole by raising the quality of public transport and not only attracting riders to Gautrain itself, but also increasing demand for other services that are part of the broader bus and rail network, as is happening in the UK.
rorywilliams (South Africa) · Sep 26th, 2007 8:53 pm
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Rory, thanks for the insightful writeup. It's fascinating to see the connection between transportation and cultural heritage and must say that I agree with your assessment.
Kiruba Shankar · Chennai (India) · Sep 27th, 2007 2:54 am
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Hey Rory, I was the one who added the photo - the article was about to be published - so I had to act fast! :)

I agree with Kiruba that i had never really thought about the connection... I also agree that the Gautrain is going to change the way people live, and how some earn their living, I'm really excited for its completion, as I am a regular N1 driver myself...

So in your opinion, which way is Gautrain heading: EST or BAU? In consider our current transport system as BAU, do you think that Gautrain would be able to change this trend?
Daniela Faris · Johannesburg (South Africa) · Sep 27th, 2007 6:13 pm
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rorywilliams Gautrain departs from business as usual primarily in that it is targeting people like you and me: those who can afford to drive, but are looking for a viable alternative.

Whether it succeeds in making the broader transportation system more sustainable will depend, I believe, on its ability to properly integrate with the rest of the public transport system. And that, in turn, depends not only on ease of transfer between bus and train, but also on schedules, fare structures, ticketing systems, ability to meet demand, safety... the list goes on. In many respects it's the details that matter as much as the fact that there will be a new rail service out there, and it's often in the details that things fall apart.

I ride the train to work in Cape Town, and Cape Town station has electronic information boards designed to tell passengers when and where trains will be departing. When the trains are running smoothly, the boards don't matter that much - but when trains are cancelled or delayed or moved to another platform, that's when the boards would be helpful. Problem is, when the trains go haywire the boards are not updated with the correct information, so they are essentially pointless. It's that kind of detail that sends people like me back to driving, which is a tragedy. If Gautrain can get it right, we'll be on board.
rorywilliams (South Africa) · Sep 28th, 2007 5:01 am
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Rory! excellent article.
I think as we deepen our understanding of how interconnected we are digitally, we simultaneously seek to echo our realworld to allow for culture, markets, friendships and business. We've been dislocated from the collective spaces that old European cities grew around.

Town squares encircled with cafes, artists busking in the sunshine, conversations - business, flirting, comforting in realtime.

Jaime Lerner the inspiring mayor and revolutionary urban restructurer of Curitiba in Brazil reshaped the city, transport ease and efficiency foremost in the earliest stages.
It is an extraordinarily inspiring story of environment transforming culture mightily : I feel so passionately about this that I did a post on it here http://maxkaizen.com/2007/08/12/crowdsourcing-a-new-identity-for-a-city/

Our times call for shared spaces that we can connect in to work/play in and celebrate the wealth of the commons >>
Open Culture House (Cape Town) announced at Heather & Jimmy's 2nd of 50parties is the way we begin in our city here at the tippytoes of Africa :-D

max kaizen · Cape Town (South Africa) · Oct 03rd, 2007 6:16 pm
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